Also the color tones of Portra 400 Portra Portrait is optimized for red yellow and orange tones skin tones as well. I assume that he is just self conscious about his music.
Film Stock Review Kodak Portra 400 Vs Kodak Portra 800 Kodak Portra Vintage Film Photography Portra 800
Portra 400 was on his main page for a while but now its on a second account.
What is portra 400. Kodak Portra 400 Pushing to 1600 by Simon King. I have shot this year Portra 400 Ultramax 400 Fuji Superia 400. Your white balances are also all universally off as well.
Before you shoot your rolls Kodak recommend you store them at 21C 70F or below or 13C 55F if youre saving them for an extended period of time. 400 iso is a great in-between its great for our outdoor shooting as well as shooting in lower light and for being a 400 iso film it has a very fine. There were a few commenters who seemed surprised at the results of pushing this film one stop which surprised me as I have always had.
Works in a variety of lighting. At a speed of ISO 400 it is fast enough for most scenarios. Kodak Portra 400 Overview.
You may have noticed that the numbers double ie. Anyway lets look at some samples of the Portra 160 so you can get an idea of its look. So wilbur often makes other profiles such as the two wilburs and the now two wilbur soots.
How are you scanning these. Just my two cents. For street photography Kodak Portra 400 is the best 35mm film.
Portra 400 at EI 1600 pushed two stops. Kodak Portra 400 is a film that was designed to be scanned. Bridging Tech and Creative.
From 100 to 200 or 400 to 800. The original Portra 400 recipe is one of the most frustrating recipes Ive created but it also produces great results sometimes. Kodaks Professional Portra 400 is a high-speed daylight-balanced color negative film offering a smooth and natural color palette that is balanced with vivid saturation and low contrast for accurate skin tones and consistent results.
For me the most interesting shots came from the Portra 400. Samples of Kodak Portra 160. I have had excellent results with Ultramax.
It loves light and handles highlights and detail retention extremely well. Rating at ISO 200 and metering for the shadows or midtones will give beautiful warm colors and natural skin tones. Its well know that overcast its really the best conditions for color landscape photography however depending on the scene you can still make it work.
Portra 400 is also based on Vision 3 technology while Portra 800 isnt so 400 is designed to be pushed much more than 800 is. KODAK PROFESSIONAL PORTRA 400 Film KODAK PROFESSIONAL PORTRA 400 is the worlds finest grain high-speed color negative film. Its easily one of the most versatile and forgiving films and on top of that it produces beautiful results.
Its more similar to the vibrant colors of Kodak Ektar 100. Kodak Portra 400 is an extremely versatile professional film available in 35mm and 120. Your tests arent very scientific as you are shooting both films in very different lighting conditions.
True Portra has less grain but the grain of UltraM is not at all bad. Kodak Portra 400 is an ISO 400 daylight-balanced colour negative film thats available in 35mm 120 and large formats too. Much like Kodaks BW400CN which eventually replaced it Portra 400BW used new generation tabular grain T-grain emulsions and was a chromogenic black and white negative film designed to be processed in normal C-41 chemistry alongside rolls of color negative film and printed on standard color paper.
Or its a fake. About Kodak Portra 400BW. What changed between the two rolls is the light condition.
Of course with film depending on how its shot developed printed or scanned results can vary greatly. At true ISO 400 speed this film delivers spectacular skin tones plus exceptional color saturation over a wide range of lighting conditions. The 35mm cartridges are DXcoded with the number 115334.
Its also a wonderful stock for skin tones. For example Kodak Portra 800 is a full stop more sensitive than Kodak Portra 400. Unlike BW400CN Portra 400BW.
Kodak Portra 800 will give you more saturated colors than either Portra 400 or Portra 160. Portra 400 is one of the most popular color negative films there isand for good reason. The new Portra 400 recipe is a little more accurate to the film in my opinion.
If Portra is what you have loaded in your camera dont worry about it. Portra 400 Reciprocity Failure Normal Reciprocity Normal reciprocity is when your camera settings are balanced to allow light entering the lens to hit the light sensitive film evenly thus creating an image that is correctly exposed with no muddy shadows high grain or blown out highlights if youre using colour film this will include no colour shift or colour cast. The 160 was shot from 11am until 2pm whereas the 400 from 2 to 4pm during winter time.
For landscapes I prefer Ektar to any of the above. To me Fuji is also a pleasing film although at bit green at times. So for the modern digital photographer it should make a whole lot of sense.
PORTRA 400 Film is the ideal choice for. Its difficult for a film with more vibrant saturated colors to maintain skin tones but Portra 800 walks that line perfectly. I recently wrote about shooting my first roll of Portra 400 which I had shot at EI 800 and pushed a stop.
In a nutshell this means that the next step of ISO represents film that is twice as sensitive to light or a full stop more sensitive. In the 65-minute video above McDougall shoots a roll of Kodak Portra 400 through his Pentax 67 medium format camera capturing the same scene at 10 different exposure values ranging from -3 to 6. Even when shooting in difficult conditions such as overcast or a dull winters day Portra 400 holds up pretty well.
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