TMAX 400 can be pushed further and developed in TMAX at ISO3200 ISO6400. I have tried various black and white films and will continue to experiment but I am finding I am now completely hooked on Kodak Tri-X 400 film.
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It doesnt take long to see that its much more contrast compared to T-MAX.
Kodak tmax 400 vs tri-x 320. It may sound a little odd that a 100-speed film is faster than a 400320-speed film but that is in fact true when it comes to Tri-X 400320 and T-Max 100. Never really warmed up to the TMax films though I. Just like with the Ilford Films I decided to subjectively compare Kodak TMAX 400 and TRI-X 400 at box speed 400 ISO both.
2 KODAK PROFESSIONAL TRI-X 320 and 400 Films F-4017 EXPOSURE Daylight Use the exposures in the table below for average front-lit subjects from 2 hours after sunrise to 2 hours before sunset. Kodak Tri-X 400 in Kodak Tmax Developer. So in terms of flexibility TMAX 400 may be a better choice but I like the journalistic quality of Tri-X at times too.
However Tri-X is. In summary if you are looking for gritty and a grainy look thats affordable then we would recommend Ilford HP5 400 film. The difference this time is.
NR Not Recommended. Kodak T-Max 400. As we explained on the HP5 vs Delta.
In most ways it out-performs Tri-X hands down. Kodak Tri-X 400 in Tmax Developer 17 Normal Development EI-320 Leica M4 and 35mm f2 Summicron version IV. Tri-X 320 T Max 400 is a great film with a short toe and plenty of expansion capabilities and excellent reciprocity characteristics.
Otherwise if price isnt an issue then Kodak Tri-X 400 outperforms in low light. Delta 400 is has extended red sensitivity with a sharp drop off Tri-X has extended blueUV. When can you write about Tri-X Pro 320.
Development times shorter than 5 minutes may produce unsatisfactory results. As you probably know T-Max is a modern film with very fine grain especially for 400 speed. Development times shorter than 5 minutes may produce unsatisfactory results.
Kodak Tri-X 400 in Tmax Developer 17 Normal Development EI-320 Leica M4 and 35mm f2 Summicron version IV. The second hit is about Pro Tri-X 400 and that says. With manual agitation at 1-minute intervals.
Stirs memories I shot 35mm Tri-X 400 all through my youth 1970s and more sporadically until now and still prefer the character of Tri-X over that TMax stuff. KODAK PROFESSIONAL TRI-X 320 and 400 Films F-4017 3 TRI-X 400 Film 400TX With agitation at 30-second intervals. Shooting Developing and Scanning Parameters I shot them in my Nikon F100 Nikon FE and Nikon N80 all at ISO 400 and metered for shadows except for the harsh light and backlit examples which were metered for highlights.
Properly exposed and developed it can provide very sharp fine grained images. Kodak can provide you with some technical specs about each film. I have used Tri-X 320 outdoors for 40 years.
Also at EI 800 the grain becomes more noticeable and because the film utilises t-grain it provides a distinct look when compared to say Kodak Tri-X 400 or other black and white films. I took Kodak Tri-X 400 find on Amazon Kodak TMax 400 find on Amazon and Ilford HP5 400 find on Amazon. The first hit I get on google for Tri-X 400 Pan tells me.
Compared to KODAK TRI-X Pan and KODAK TRI-X Pan Professional Film the newer TRI-X 400 and 320 Films may have a slightly different retouching feel. We are now going to look at KODAK TRI-X 400shot at 400. The films mentioned are Ilford Hp5 Ilford Delta 400 Kodak Tmax 400 Kodak Tri-x 400 and Rollei RPX 400.
Dark tones are much darker and even if the highlights are bright there is still detail and it doesnt look as burn as T-MAX. Kodak T-Max 100 is Faster than Tri-X 320 for Long Exposures by Tim Layton. Tri X has a looooong toe and looking at the curve and the negatives one needs one to consider these factors in using it.
The TMaX 400 400TMY is a continuous-tone panchromatic black-and-white negative film. KODAK PROFESSIONAL TRI-X 320 and 400 Films F-4017 3 It may be difficult to use the table to estimate the adjusted times for calculated exposure times between 1 and 100 seconds. Use f56 at 1500 for backlit close-up subjects.
The graphs that follow will help you find the adjusted times for calculated exposure times between those. This could have easily been titled Medium format wins the end But that wouldnt have been as much fun. Theyre all shot in medium format.
Personally I like the tonal rendering of Tri-X 320 vs HP-5. Kodak tmax 400 vs. Kodak T-Max 400 was originally launched in 1987 and was reformulated in 2007 to deliver even finer grain and higher sharpness.
Kodak Tri-X 400 120 film. This film was created with the T-Grain emulsion technology that is based on the maximum use of the emulsion in the distribution of silver in the film in Tabular form. And you should read as much as you can.
Delta 400 and Tri-X are very different. T-Max 100 is a common and awesome choice for landscape photographers and the better reciprocity failure for T-Max. The Kodak TMaX 400 is a more contemporary film compared to the Tri-X and the results from it are also comparable to that from a digital camera.
Kodak Tri-X 400 vs TMax 400 For anyone who has followed my work for a while will know for black and white film photography I normally use Kodak TMax 100 especially for 35mm film. I developed T-MAX 400 800 with T-MAX Developer at 24c degrees for 630s. I like Delta 400 for landscape over many other films work pulled to 100 not simply less contrast it looks like a completely different film this way Delta 100 doesnt have the extended red but Delta 3200 does.
As someone who only recently began shooting 120 film - Im still blown away by the difference in resolution. Ilford HP5 Plus 400 Black and White film is a testament to just how unique film photography can be. KODAK TRI-X Pan Film has been replaced by KODAK PROFESSIONAL TRI-X 400 Film 400TX.
I see 120 is available in both. Arjun you may want to go to Kodak and download the Kodak podcast - video of an interview with John Sexton on Tmax.
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